Apr 072015
Castle Geyser, Yellowstone National Park

Castle Geyser, Yellowstone National Park.

I’m very pleased to announce that I will be co-leading a photo workshop in Yellowstone National Park this Fall. For anyone interested in sharpening their skills in landscape and nature photography, this will be a great opportunity in one of the iconic locations of North America.

This photography workshop is one of the many wonderful programs offered each year by the Yellowstone Association. My co-leader for the workshop is long-time friend Terry Donnelly, who has been conducting workshops at Yellowstone for several years and is an outstanding educator as well as an all-around nice guy. Oh yeah, he also makes really pretty pictures.

Come join Terry and I from September 28-October 1, 2015 for “Colors on the Landscape: Fall Photography in Yellowstone”. The workshop will provide instruction in both technical and aesthetic considerations in photography, combined with plenty of on-location shooting in some of the landscapes that Yellowstone is famous for.

Click the links to find out more about all the Yellowstone Association programs and download the Summer Catalog. And this link for details about the workshop. Ready to register? Go here and click on Add to Cart.

Please share this post with any of your friends who might be interested in this photography workshop, and on social media via the links below.

Feb 122015

Cover of guidebook "Photographing Washington"

The North American Travel Journalists Association has just announced the winners in their annual awards, and I’m very pleased to say that Photographing Washington was honored with the Bronze award in the Travel Book & Guide category.

The NATJA award comes on the heels of receiving the Silver award in the Travel Book category in the 2014 Benjamin Franklin Awards.

For more information on Photographing Washington and my other award-winning guidebook, Photographing Oregon, please click this link.

These books are part of a mult-award winning series of guidebooks for photographers available from PhotoTripUSA.

Feb 072015

Screenshot capture from Peru Tourism website

It’s genetic, I’m sure. Not only did I inherit a love of travel from my parents, but I’m sure I got my penchant for planning from my mom as well. On family vacations, we had a daily itinerary with details of each stop determined long before we all piled into the station wagon.

My sister inherited it, too. She’s heading to Greece this spring, and already she’s devoured multiple guidebooks, checked out numerous DVDs from the library, spent hours checking websites, and watched every pertinent episode of Rick Steves and Anthony Bourdain. I’m sure she’ll have her bags packed a good two weeks before take-off.

When I locked in a trip to Peru recently, I immediately started planning and researching. While I’m more than willing to go with Serendipity during my trips, and doing so has often resulted in fun adventures and great photos, I always want to start out prepared. And yes, I was a Boy Scout (motto: “Be Prepared!”).

So, here are some of the ways I’m preparing for my trip to Lima, Cusco and Machu Picchu (bucket list!), what tools I’ll use for research, and what gear I’m planning to take. Each of these items is on one of several checklists that I refer to when I’m getting ready to travel.

Pre-trip Research

As a guidebook writer/photographer myself, I normally start my trip research by looking at several guidebooks and buying the hard copy or download an ebook of the one I think looks best. This trip is part of an SATW meeting where most of my itinerary is set by the hosts and I don’t have to find lodging or recommended restaurants, but I know that a good guidebook will have in-depth information on history, culture, and environment in addition to listing Must Sees and where to find the best local cuisine.

A visit to the website of the official visitors organizations for my trip destinations is usually my next step in research. The CVBs usually have in-depth information about sights, culture, climate and activities as well as lodging and dining options. They often have a gallery of photos showing highlights of the area; more and more the quality of the photos on these websites is very good and the images bear studying. Independent websites and blogs are great for getting information from fellow travelers with real world experience from personal visits. A quick Google search will likely turn up tons of those for every popular destination.

Searches on Google Images, Flickr, and stock photo agencies like Getty Images and Alamy give me more ideas of what to put on my shoot list. I don’t intend to copy what others have done, but seeing what’s out there helps me be prepared for when I’m on location making my own images.

When I find something like an important landmark or a building with great architecture in my research, I’ll go to Google Maps or Google Earth (or a guidebook or website map), pinpoint the location, and note which direction the the landmark or building faces. Is the best light going to be in the morning or afternoon? I can even try to determine more precisely the best time for photographing the location by using an app like The Photographer’s Ephemeris (TPE) to show not just the time of sunrise or sunset, but the exact direction of the light on the day I’ll be there.

For the cities I’m going to visit, I’ll try to find a good street map on a destination website or use Google Maps, then make a print and mark the locations of places I want to visit.

Climate and weather are going to determine what clothes I bring, and to some extent the photo gear I pack, so I check websites with long-term climate data and average temperature/rainfall, and as the trip approaches I’ll check current forecasts. The Intellicast weather app for the iPad/iPhone is excellent for the latter.

I still have some clippings, brochures, press releases, etc. in analog filing cabinet drawers, so I’ll check those, as well as digitally stored docs of the same sort.

Lastly, friends and friends of friends on social media can offer help and suggestions. A post in a Facebook Group for travel photographers, bloggers, writers or PR/DMO people can net some very useful information.

Photo Equipment

When I’m doing a road trip, I pretty much pack everything, including the kitchen sink (nicely, that’s built into my VW Westfalia). When the journey involves air travel, however, I need to carefully consider each piece of gear in order to stay within weight limits.

My Peru trip is limited to Lima, Cusco and Machu Picchu. With the latter two destinations at high elevation, I’m really aiming to keep down the weight of what I’ll be carrying around all day. This trip won’t take me anywhere with opportunities to shoot wildlife, so I don’t have to pack my long telephoto lenses or even the tele-converter. Here’s what I will take:

  • 2 Nikon DSLRs. One full-frame and one 1.5x crop frame.
  • 14mm, 12-24mm, 16-35mm, 18-200mm, 24-85mm and 70-200mm lenses (with lens hoods for all).
  • Polarizing filters to fit the lenses. If I was going to an area with waterfalls or I knew other moving water would be one of my important subjects, I’d also take a neutral density filter.
  • Canon 500D Close-up Lens. Combined with the 70-200mm lens, this gives me excellent close-up/macro capability. Nikon makes similar quality 5T and 6T close-up lenses, but for some reason, not in the 72mm size.
  • Tripod. Word is they are not allowed at Machu Picchu, but I use a tripod whenever I can, and I plan on doing some night photos in the cities. My Gitzo tripod + Really Right Stuff ballhead are small and light enough that I can and will carry them all day if I think I might need them. And if I use the tripod, I’ll most likely be using a remote release for the camera as well.
  • Memory (SD/CF) cards. Enough of these that I can go for at least several days without having to download and re-format. The price of these cards has come down so much now that many photographers bring enough of them for their whole trip. I always go with the higher-end cards from SanDisk or Lexar, and will start the trip with them freshly formatted in each camera.
  • Extra batteries and charger for the cameras.
  • On many trips, I’d be bringing an on-camera flash and diffuser, plus extra batteries and charger. I’m debating whether to bring those on my Peru trip and may leave them behind as I almost always find ambient light sufficient. My cameras have a pop-up flash that I sometimes use if I need a little fill.

When I’m going to be doing things like walking around a marketplace and don’t want to be encumbered with a lot of gear, or be an obvious target for thieves, I’ll just take the small DSLR body and a couple of lenses in something low-key like an old Domke Satchel shoulder bag. Most of the time however, I want to be prepared for anything (Boy Scout, remember), so I use a LowePro Fastpack 350 photo backpack that holds not only the above gear (minus the battery chargers) but also:

  • LensPen and microfiber cloths for cleaning lenses.
  • A few yards of black gaffers tape (superior to duct tape) wrapped around the allen wrench that’s needed for my tripod quick release plates.
  • A bright red cotton bandana. Comes in handy for drying equipment and eyeglasses that get wet from rain or waterfall spray (or for body parts after a dip in a mountain lake or river), for shading the neck in all-day outside walks, another layer of warmth around the neck or on the head when it’s cold, etc. So far I haven’t had to use it as an emergency signal, but that’s the reason for the color.
  • Pocket pack of Kleenex tissue.
  • Ziploc bag for trash.
  • Large plastic trash bag. When the ground is wet, I can sit or lay on it, or put my camera gear on it to keep it dry. Can be used to improvise a pack cover when it rains.
  • Poncho – one of those cheap, thin, plastic things that fits in a sandwich size ziploc. They’re big enough to cover me even when I’m wearing the backpack.
  • Op/Tech Rainsleeve to put over the camera and lens when it’s raining. A large ziploc can be hacked to do this, but the Rainsleeve is much better and easier to use, and they’re not expensive.
  • Small collapsible umbrella that I can stash in the water bottle pocket of my backpack. If it’s not windy, this can be a lot easier than shooting with the Rainsleeve on the camera. On bright, sunny days, it can shade a small area or a person’s face for close-ups with less contrast.
  • Hotel shower cap. These also work fine as rain covers for small camera+lens combos. I put one over the ballhead on my tripod when walking around with it in drizzle and rain.
  • 4″x6″ memo book, customized with pockets to hold business cards, model releases and photo tips/reminders. This, and a pen, will most often be in my pants pocket when I’m out shooting, for instant note-taking access.
  • Energy bar. I’m partial to Clif Bars and Nature Valley Chewy Fruit & Nut. When I’ve been on the go for hours and am starting to lag, snacking on one of these really perks me up.
  • Small bottle/tube of hand sanitizer.
  • First Aid/Emergency kit. Carried in a quart size Ziploc bag: several bandaids of various sizes, alcohol swab, a couple of Benedryl (antihistamine) tablets, half dozen Ibruprofen, safety pin, enzyme-based digestive aid. For foreign travel, I add a couple of anti-diarrheal and anti-gas caps. Depending on where I’m going, I might include a very small container of sunscreen and/or bug repellant. When I’m on a road trip and doing any hiking, I also include a Bic lighter, emergency whistle, and Mylar “Space Blanket”.
  • Elastic knee brace. The old knees aren’t what they used to be, and in particular don’t like the prolonged pounding of a downhill descent with the added weight of camera gear, so I always have these in my backpack. Trekking poles help immensely, but I anticipate the only time on this trip the knee joints might need help is at Machu Picchu, so I’ll leave the sticks at home this time.
  • Water bottle. Whenever possible I try to avoid buying and using the ubiquitous small plastic bottles of drinking water. I’ll either bring my own bottle, or buy one at the beginning of the trip and refill it. The water at the hotels I’ll be staying at should be safe, and I’m planning on having a SteriPen to treat questionable sources.
  • 12″x17″ sheet of white closed-cell foam, ~1/2″ thick. This lives in the slot in my backpack intended for a laptop (which will also still fit). Makes a comfy, and dry, place to sit or kneel, and can used as a reflector/diffuser for close-ups in bright light.
  • Swiss Army Knife. Actually this always lives in my pants pocket, but I’ll include it with the camera stuff here. I’ve carried my large Victorinox with 15 tools and blades every day for many years. It lacks pliers so I’ve been tempted to trade it for a lighter weight multi-tool, but I’ve not seen one of those that includes toothpick, tweezers, and corkscrew – all essential and used frequently. I do have to be very careful and remember to put the knife in my checked luggage for flights; I place a note on top of everything in my suitcase to remind me.

The Lowepro Fastback is an extremely well designed and constructed photo backpack, and itis comfortable enough to be worn all day on a hike. I bought the blue and black version because it looks more like a regular daypack, and doesn’t broadcast the fact that I have a lot of expensive gear in it. Several similar photo backpacks have built-in rain covers, which would be a very good idea for this trip.

Computer and other electronics

Whenever I pack for air travel I’m amazed at how much computer and related electronic gear I’m taking. Then I remember that I used to have to pack 100-200 rolls of film, a whole lot more lens filters, and a heavier tripod. On recent trips, I’ve been really tempted to try and get by without a laptop and just go with an iPad, but I’m not quite there yet. Here’s the list:

  • MacBookPro. A recent version with 15″ Retina display is both my travel and desktop computer. I’m willing to carry the weight for its capabilities. Charger and cord go with it, of course. I’ll likely pack the Magic Mouse too, as I find it much easier, quicker and precise than the trackpad for navigating the computer, especially when editing and processing photos.
  • iPhone. I resisted a cell phone for a few years, now don’t know how I could get along without it and the v.6 is a wonderful tool. Earphones, USB plug, and charging cable for that as well. Loaded with all kinds of apps. Which reminds me, I need to download the LAN app, since I’ll be flying that airline to, from and within Peru. I’m thinking of picking up a set of Olloclip lenses for the iPhone 6 for more options with Instagram photos.
  • iPad Mini. This might seem superfluous with the laptop and phone, but I use it for reading books in place of a Kindle, and much prefer it over the phone for email, maps and apps like the above-mentioned TPE. When I get a new camera, or if I’m instructing someone in use of theirs, I download the owners manual to the iPad for use in the field.
  • Western Digital MyPassport hard drives. I’ll pack two of these, one with Time Machine for a complete backup of my MacBookPro system plus space to download the photos I take on the trip. The second one will be used for the second backup of any photos I take and download during the trip (with the HD on my laptop and two externals I figure I’m pretty well backed up – certainly way more than I was in the days of carting around rolls of exposed film). The WD Passports are quite small, have proven to be reliable, and the 2TB version has enough capacity that I can bring all almost all of my important files with me. When I’m on extended road trips in the US, I bring additional drives with several years of raw shoot files and an archive of processed images in case I get requests for images with a short deadline.
  • USB Flash Drive. Very handy for transferring files when sharing, giving presentations, etc. The price has come down so much on these, and the capacity has increased, such that they’re viable for backing up photos.
  • Camera memory card reader. Not going to need one on this trip, as both cameras I’m taking use only SD cards and there’s an SD slot built into the MacBookPro. Your mileage may vary, as they say.
  • International voltage adapter. On my last overseas trip I picked up a very compact adapter that works just about anywhere. Sure was nice to get rid of the old brick with a bunch of attachment plugs.
  • Triple-tap AC adapter. How many times have you been in an airport waiting area, cafe or hotel room with all the electrical outlets already in use? Some travelers pack a multi-outlet power strip; I find the triple tap sufficient plus it’s small and light enough that I include it in my carry-on so I have it available at the airport. If you’re going to buy one of these, make sure to get one with the grounding prong and slot.
  • Extra AA batteries and AA/AAA charger. If I bring the flash unit, I’ll also bring rechargeable AA batteries and a compact charger.

Almost of the above will go in my carry-ons. With the photo gear in the backpack (just barely carry-on size) and the electronics in a satchel-type shoulder bag, I can fit my tripod, clothing, toiletries and miscellaneous other stuff in a soft-side 26″ wheeled suitcase. Once I’m on location, any of the electronics that I don’t anticipate using during an excursion with be left in the hotel room, either in a room safe or in luggage that is locked and secured (see below).


I’ll be visiting two quite different climates on my Peru trip, and while the weather will not be extreme anywhere, I need pack for both hot, sunny days and cool, rainy periods. February is the dry season for Lima, with temps in the 80’s (F), humidity about the same, and lots of sun. In contrast, it will be the wet season in Cusco and Machu Picchu, with daily high temps in the 50’s, and rain likely much of the time (Sounds just like Oregon in early Spring, so I’m not going to have much trouble adjusting).

With all the camera and computer gear I travel with, I need to minimize clothing to keep within baggage allowances. Pants, shirts and underwear will mostly be lightweight nylon or poly fabrics that can be rinsed in Woolite in the hotel bathroom sink and hung to dry overnight. Here’s what will go in my check-in luggage:

  • 1 pair nylon travel pants in basic trouser style so they can work for evening functions where cargo pants would be considered gauche.
  • 1 pair convertible nylon pants with cargo pockets. I know a lot of people hate zip-offs, and I agree they’re kinda ugly, but they’re oh so practical. I can wear them for swim shorts if hot-tubbing and au natural is not appropriate.
  • 2 short sleeve T-shirts, high-tech fabric like the REI Sahara or Nike Dri-Fit. I prefer the feel of cotton, but the other fabrics work a lot better in humid climates and dry much quicker when they get wet.
  • 2 long sleeve button front shirts, nylon or blend, at least one of which is suitable for slightly dressy occasions. After many years of living and working in sunny Hawaii, my arms have taken all the UV they can handle, so I need to keep them covered as much as possible. Even when it’s warm, I prefer to wear a lightweight long-sleeve shirt to repeatedly having to apply sunscreen.
  • 2 pair underwear, ExOfficio or similar drip dry fabric.
  • 2 pair lightweight SmartWool socks and 1 pair DarnTough light hiker quarter socks. Both of these have excellent cushioning for walking around all day.
  • 1 pair shoes that are nice enough for upscale restaurants, etc., but also comfortable for walking.
  • 1 packable, Gore-Tex (waterproof but breathable) shell jacket. Layering a T-shirt, long sleeve shirt and this jacket should be plenty of warmth for the early morning Machu Picchu visit, and if it’s not raining as the day warms up I can stuff it in my photo backpack.
  • Wide-brim, water-repellant hat. Both to keep the rain off my eyeglasses and the sun out of my eyes. With chin strap for windy conditions or to let it hang on my back if it gets in the way while shooting.
  • Pick-pocket proof wallet/passport holder.

In addition to those clothes, I’ll wear on the airplane some comfy cotton canvas pants, a long sleeve T-shirt plus long sleeve button up shirt (I’m often cold during flights), low-cut waterproof trail shoes, and a braided nylon belt. The plastic buckle on my belt, and my plastic watch band, won’t set off the Xray machine, so I usually get through security without that extra touch from TSA. The nylon belt has more than once saved the day during a trip by securing gear to a raft, holding a broken suitcase together, etc.

I tend to go with dark clothing because light and bright colors cause too much reflection on the LCD screens of my cameras, iPad/iPhone, and computer. Dark colors are also better at hiding dirt. The one exception I make is my rain jacket because I often wear that in dim conditions and it makes for a nice color pop for selfies or to throw on someone else who volunteers to model.


Other stuff that will get stuffed in either the check-in bag or my “personal carry-on” (AKA purse equivalent):

  • Sunglasses and an old pair of prescription eyeglasses in case something happens to the ones I wear all the time.
  • Toiletries, the usual; meds and vitamin/mineral/herbal supplements, aloe vera, plus a couple of homeopathics like Apis, Arnica and Traumeel. Several days worth of Wellness Formula, an immune system booster that I consider magic and start taking immediately if I feel a bit out of sorts.
  • Small plastic bottle of Woolite for washing clothes.
  • A few Zip-loc bags of assorted sizes. They always come in handy.
  • Ear plugs. Indispensable. Not just for sleeping in noisy hotel rooms but to at least partially block the constant din inflight if I don’t want to listen to music.
  • Sunscreen and insect repellent in larger sizes, to refill the mini bottles I keep in my backpack.
  • Waterproof pouch case for the iPhone. I don’t anticipate needing it this time, but you never know. Boy Scout, remember, Be Prepared!
  • Camera sensor cleaning kit.
  • Extra model releases and business cards.
  • More Clif Bars and granola bars.
  • Starbucks VIA instant coffee. Almost always better than the hotel room packets. If there’s room and I’m not otherwise overweight, I’ll bring a coffee cup.
  • Pacsafe (the original wire mesh kind that could swallow a backpack or small suitcase) and wire cable with loops on ends (like a bike lock cable but only about 1/8″ thick) to lock my suitcase to something immovable in the hotel room.

That’s about it. Based on years of experience as a photographer and traveler, I’m pretty sure the above kit will have me prepared to take maximum advantage of my time on this trip. In addition, wearing the backpack and looping the handles of the shoulder bag on the extended handle of my wheeled suitcase, I can manage everything without the need for luggage carts or assistance when navigating airports and transfers.

Unlike my sister, I won’t be packed two weeks in advance, but neither will I leave it til the last minute. As part of final prep I’ll charge all the batteries, including spares, for all cameras and electronic gear, and I’ll re-format all the memory cards for the cameras (after making sure any images on them have already been downloaded and backed up). Lenses will be checked for dust and smudges; cameras tested for dust on sensors. If necessary, I’ll dump some files from my laptop to make room for the new trip photos. If I haven’t done so recently, I’ll scan my passport, drivers license, credit cards and medical insurance card, and email myself those files in case they get lost.

A couple of days before I leave, I’ll call my credit card issuers, or visit their websites, to let them know I’ll be traveling, so that I don’t suddenly find my account blocked due to the bank trying to prevent fraud.

Just before leaving, I’ll snap photos of my suitcase, backpack and shoulder bag with my iPhone, to help ID them if they get lost.

One last thing, actually one of the very first things I’ve done to get ready: I’ve made it a priority lately to get out and get more exercise. I’ve been spending too much time in front of the computer lately and I’ll be doing a good amount of walking, at altitude, while in Peru. I’m making it a point to do hill climbs on my daily walks and hikes. I definitely don’t want to be lagging when there is going to be so much to see and do in a short time.

As always when travel time again draws near, I’m getting excited. Have I left anything out? What do you pack and how do you carry it? What other resources do you use for planning your trip? Please share your tips in the Comments below.


Jan 072015

Like many of my photographer friends and colleagues, I find it fun, interesting and informative to review the photographs I made in the past year. In 2014, I concentrated on locations in western North America, with trips to California, British Columbia, Nevada, New Mexico, Washington, and of course lots of wandering around Oregon. Here are my personal favorites from the year, in chronological order:

Snow geese in flight at dawn; Bosque del Apache National Wildlife Refuge, New Mexico.

Snow geese in flight at dawn; Bosque del Apache National Wildlife Refuge, New Mexico.

The year started very well for me, leading a private photo workshop in Bosque del Apache National Wildlife Refuge and White Sands National Monument in New Mexico. The photo above was taken while scouting locations for the morning fly out of snow geese and sandhill cranes a couple of days before the workshop.

Ocean and sea stacks at dusk, from Cape Blanco, Oregon.

Ocean and sea stacks at dusk; Cape Blanco, Oregon.

Late winter is a great time to visit the Oregon coast, and I especially like the southern coast from Cape Arago down to Brookings. When I arrived at Cape Blanco State Park, it looked like conditions were favorable for a good sunset. Heavy clouds rolled in, however, and while the sun never popped out from under the cloud bank, a beautiful glow appeared briefly in the southwest sky just at dusk.

Black and white photo of clouds over Sierra Nevada Mountains from Owens Valley, California.

Clouds over the Sierra Nevada from Owens Valley, California.

Three times in the past year I drove from Oregon to Southern California, traveling either to or from via US Highway 395 along the eastern front of the Sierra Nevada. John Muir famously called the Sierras the “Range of Light”, a highly appropriate tag for this incredibly beautiful mountain range. With the fresh dusting of snow and dramatic clouds, I thought a black and white image, à la Ansel Adams, was the right choice for this scene.

Lupine and balsamroot at Rowena Crest, Oregon, with sunrise over the Columbia River Gorge.

Lupine and balsamroot at Rowena Crest, Oregon, with sunrise over the Columbia River Gorge.

The waterfalls and wildflowers of the Columbia River Gorge offer a wealth of photo ops, most especially in spring when the balsamroot and lupine bloom at Rowena on the Oregon side of the river and the Columbia Hills on the Washington side. Somewhat ironically, while I lamented in another blog post that I didn’t get the photo I’d planned for during this trip, this image was recently licensed for a full-page magazine ad.

Laburnum trees, purple alliums and blue bells in bloom at VanDusen Botanical Garden, Vancouver, British Columbia, Canada.

The Laburnum Walk at VanDusen Botanical Garden; Vancouver, British Columbia, Canada.

In May I joined friend, publisher and photographer Laurent Martrès in Vancouver, BC, specifically to photograph the Laburnum trees, aka Golden Chain trees, at VanDusen Botanical Garden. This landscaped tree tunnel is a visual (and aromatic) sensory overload. The vibrant color in this image is not the result of pushing the Saturation slider in processing – the yellow of the blossoms is almost unbelievably intense.

Metolius River, Deschutes National Forest, Central Oregon.

Metolius River, Deschutes National Forest, Central Oregon.

The Metolius River is a favorite vacation destination for many Oregonians, and is especially renown among fly fishing enthusiasts. A couple of years ago I received a request for a photo of the river from a friend who visits repeatedly and finds relaxation and spiritual renewal on the banks of the river. After a couple days of hiking and driving up and down the river, I found this view near Camp Sherman, and I think it illustrates well what is so special about the Metolius.

Sunset clouds over Broken Top and South Sister from Ray Atkeson Memorial viewpoint at Sparks Lake; Cascade Mountains, Central Oregon.

Sparks Lake and sunset clouds over Broken Top and South Sister; Cascade Mountains, Central Oregon.

One of the highlights of 2014 for me was hiking, camping and just hanging out for several days in the Oregon Cascades with photographers Tom Kirkendall and Vicky Spring. For most of the trip the weather wasn’t all that great, and in fact we got drenched twice hiking on the Canyon Creek Meadows trail. But after one of those rainstorms we were treated to a beautiful and long-lasting rainbow, and one evening while at the Ray Atkeson Memorial on Sparks Lake we witnessed a truly spectacular show of clouds over Broken Top and South Sister.

Sunset sky and clouds over Waldo Lake; Cascade Mountains, Oregon.

Waldo Lake Sunset, Cascade Mountains, Oregon.

Waldo Lake is the second largest and the second deepest freshwater lake in Oregon, and its water is among the clearest and purest in the world. The lake and the surrounding forest and wilderness are fabulous for hiking, kayaking, canoeing, camping, mountain biking and just plain relaxing. Located at the crest of the Cascades, it’s often windy at Waldo, with choppy water, but on this day the wind calmed and glorious clouds formed just at sunset. What more could a photographer ask for?

Lower Kentucky Falls; Coast Range Mountains, Oregon.

Lower Kentucky Falls; Siuslaw National Forest, Oregon.

Fall color and waterfalls just seem to go together naturally in the Pacific Northwest. Silver Falls State Park and the Columbia Gorge are the most popular locations for this combination, but there are several really nice waterfalls in the Coast Range. An easy hike on the Kentucky Falls Trail leads through fantastic old-growth forest to three very photogenic waterfalls, with the bonus of a variety of mushrooms lining the way.

Joshua trees at sunrise; Joshua Tree National Park, California.

Joshua trees at sunrise; Joshua Tree National Park, California.

My last trip of 2014 was another jaunt to San Diego, during which I wandered even more than usual. Since I’d already done the US 395 route along the Sierras twice in the previous nine months and was planning to return to Oregon that way, I opted for US Highway 95 in Nevada on the way south. Between Reno and Beatty I enjoyed the particular beauty of stark Basin and Range country under stormy skies, and had fun exploring the mining days ghost towns of Goldfield, Gold Point, Candelaria and Rhyolite. I had dim weather in Death Valley, a pretty nice dawn in Mojave National Preserve, and then a spectacular sunrise in Joshua Tree National Park.

Okay, there’s my Top Ten for 2014.  Some were easy choices, and there are certainly a quite few more that were considered. Perhaps the best thing about putting this post together is the reminder that I am very, very fortunate and truly blessed to have been to these places, seen these sights, hiked many miles of trails, wandered many miles of roads and delighted in the wonders and glory of nature.

Interested in purchasing any of these photographs? Photographic prints and canvas gallery wraps of these images are available by clicking the link for this gallery at FineArtAmerica. Editorial and commercial licenses and personal use downloads are available through my website at 2014 Favorite Photos.

Note: you can view a larger version of each of these photos by clicking on the photos above, or by visiting my website and going to the 2014 Favorite Photos gallery.

UPDATE: I missed the deadline for including this post in Jim Goldstein’s annual “Best Photos of 2014 by JMG-Galleries Blog Readers”, but I encourage you to check out the amazing selection there. If you have a 2014 “Best Of” gallery of your own images, I invite you to include a link in the Comments below.

And, of course, sharing with your friends is most welcomed – just clicked on one these links:

Dec 042014

Thunderstorm clouds and wildfire smoke over Upper Klamath Lake in southern Oregon.

Google+ recently sent me a Notification that a person named Margarita had added me to her Circles. I clicked on the link, which took me to the profile of someone I’ve never met, in person or online, someone who posts their photos on G+.

Looking at what they’ve posted so far, images typical of a not-very-advanced amateur nature photographer, I’m not likely to click “+”, Favorite on Flickr or “Like” on FB, or gush over in Comments when I view their photos.

However, this person, who took the trouble to contact me, writes in her About profile:

Tagline: Observer, Photographer, Nature enthusiast, Dreamer.

Introduction: Photography is both my passion and my therapy. I take pictures in an attempt to capture those fleeting and ephemeral moments in life that reveal its mystery, beauty and wonder. 

Regardless of my motivation, the camera is an extension of me. It remembers the things I cannot and sees things that my eyes miss. 

Thank you for your time. I hope you enjoy my photography. 

Bragging rights: Mother, wife, live life, love people.


What a wonderful “About”!

Well, Margarita, I am honored that you want to connect with me, and thank you for doing so.

I wish that I could be so eloquent, and succinct, in expressing what photography means to me, why I continue to try and share what I see and experience.

There is no way I can say it any better than, “Thank you for your time. I hope you enjoy my photography.”


Dec 022014
patterns in basalt rock

Rock art along the John Day River. What do you see?

Last Spring, after extensive research, hours of planning and an eye on the weather forecast, I visited the Columbia River Gorge, hoping to make some really great photographs of glorious wildflowers with a backdrop of gorgeous Gorge scenery.

If you live in the Pacific Northwest, or visit as a photographer or nature lover, you probably know just the images I was after.

I envisioned a sunrise composition of a perfect clump of lupine or balsamroot, at the edge of Rowena Crest, with a sunburst just as old Sol crested Stacker Butte, with the mightly Columbia snaking eastward towards The Dalles. The Nature Conservancy’s Tom McCall Preserve is the perfect location for such an image.

Then I was going to head over to the Washington side of the Gorge and up Dalles Mountain Road for the carpets of color at Columbia Hills State Park. I timed my visit for the predicted peak of bloom.

And I planned to finish the day in Oregon’s Hood River Valley with the classic photo of apple trees in bloom, THE red barn, and snow-capped Mount Hood.

I spent three days in the Gorge, trying to make these photos. Three sunrises where the sun rose behind thick clouds or haze, and just showed as a bright ball in my photos instead of having those glorious sun star rays. Some heavy lifting in Photoshop could produce an okay image, but it wasn’t what I’d counted on achieving.

Three days of strong breezes tossing the balsamroot and lupine blooms on the Columbia Hills. Three days of haze in the Hood River Valley; haze so thick that Mount Hood was barely visible.

Some photographers have this virtue called patience. I’ve been on trips with Tom Kirkendall and Vicky Spring when they are happy to just hang out until the weather improves. My friends Terry Donnelly & Mary Liz Austin have been known to hunker down in their camper for a couple of weeks, waiting for just the right conditions.

I wish I had that kind of patience, but when weather thwarts my intentions for multiple days, I get frustrated and impatient. I start looking at maps, guidebooks and weather forecasts, wondering where else I might go.

And so, I started to wander. South of the Gorge and east, through the rolling hills of wheat fields in north central Oregon, and into the arid territory of grasslands and sage. I had no preconceived ideas of photos, no icons to try and capture as well as many have done before me.

Backcountry drives always refresh and rejuvenate me, and I began to see again. The two-lane highway dropped down from the Columbia Plateau to the canyon carved by the John Day River and I knew there were photographs to be made. The weather wasn’t really any better than it had been in the Gorge, but it didn’t matter because I didn’t have the goal in mind of capturing exactly the photographs I intended to make. Without the self-imposed pressure to produce what I’d originally planned, I relaxed and opened up to whatever came my way. It was liberating.

Dispersed camping is usually my preference on trips like this, but as it was getting late I pulled into the campground at Cottonwood Canyon State Park. Popped the top on my Westy, then the cork on a bottle of cabernet, and sat in my camp chair, thoroughly enjoying listening to the sounds of silence. The John Day is a very special river, running from headwaters in the Strawberry Mountains to a confluence with the Columbia River. It is one of Oregon’s designated Wild and Scenic Rivers and is a favorite of rafters and drift boaters looking for a remote wilderness experience. A couple of years ago I enjoyed a rafting trip on the John Day that included an area proposed for Wilderness status, but I had not previously explored this part of the river.

I hoped for a glorious sunrise over the river, but the day dawned gray, and stayed that way. No matter; a trail I’d never hiked before beckoned. It felt good to set off with pack on back, boots on feet, and bird calls accenting the soft sounds of the John Day coursing its way westward. My feet wandered and my mind wandered, and it was wonderful.

Several miles upriver I spotted a coyote perched on a rocky outcrop not far above. Somehow he sensed that I was not a threat, and maybe he recognized that thing attached to my backpack was a tripod, not a rifle. I sat, munched a morning snack, and had a nice conversation with Coyote, musing on his reputation as Trickster.

Returning on the river trail, I came to a cliff of basalt lava that I’d mindlessly passed earlier. And suddenly I saw. I savored the process of taking the camera out of the backpack, deciding which lens was the best choice, what settings I would need to capture what was before me, and give me the data to interpret and share what was making such a pleasurable impression on my brain.

For the next couple of hours I wandered up and back the cliff area, marveling at the designs in the rock, wildflowers seemingly growing without benefit of soil, and the textures and patterns made by cracks and crevices in the rock. Some of my personal favorite photographs have been the result of wandering; perhaps Serendipity is my Muse.

At one point, while I was hunkered down over my tripod, a couple of hikers came down the trail and one of them asked me what I was photographing. I pointed to a small section of rock, saying I liked the colors and designs. She regarded the rock for a moment and said, “Oh yes, it looks like a deer and an old woman”.

Isn’t it absolutely wonderful to meet other imaginative souls on your wanders?





Nov 272014

From Black Friday to Cyber Monday and continuing throughout the holiday shopping season, there are many great sales happening. Some of these deals can be real money-savers for travel and nature photographers.

Photographing The Needles at Haystack Rock in Cannon Beach

Here are some of the holiday specials I know about that are of interest to photographers:

  • Dreamscapes – all of the great ebooks by Ian Plant and other outstanding nature photographers are 20% off through midnight December 1. No coupons or codes needed.
  • Adventures in Light – Joseph Rossbach offers his books and several others at 10% off through Friday, November 28. Use discount code “bf2014”
  • Tony Kuyper Actions and Sean Bagshaw Video Tutorials – Tony and Sean are offering a sweet deal on the combination of the complete set of TK Actions and Sean’s excellent video tutorials on using the actions. Highly recommended.
  • Topaz Labs – The complete Topaz Photography Collection (all 15 products) for only $249.99 from November 28 through December 1. That’s a savings of $180 for the whole shebang. Coupon code for this deal is “BLACKFRIDAY2014”
  • NANPA – From Black Friday through Cyber Monday, new members can join the North American Nature Photography Association for only $50. New and existing members can save $50 on the registration fee for the Summit meeting in San Diego. Gift memberships are also available for $50. Use the promo code “BLACKFRIDAY’.
  • West Coast Imaging – Still have some prized film transparencies or negatives waiting to be scanned? WCI is offering their outstanding Heidelberg Tango drum scans at 40% off for orders placed before midnight November 30. Be sure to write the promo code “Black Friday Scan Sale” on your order form.
  • KelbyOne – Scott Kelby is offering a bunch of deals from now until midnight, December 1st. Among the best: sign up for an annual membership and get the whole Nik Collection of Photoshop/Lightroom plugins for free.
  • Macphun – 40% off plus a $25 Amazon Gift Card with the purchase of 4 of Macphun’s photo processing apps. Hurry on this one, as the deal ends November 29.
  • Visual Artistry Workshops – Instruction and photo tours from Tony Sweet with a 10% discount if you register by midnight, November 30.
  • ProPhotoSupply – The folks at ProPhotoSupply have been my go-to source for equipment ever since I moved to the Pacific Northwest. They have monthly specials in addition to their special Black Friday-Cyber Mondays deals. Their prices and shipping charges are very competitive, even if you live far from Oregon.
  • Frame Destination – Free shipping on orders of $65 or more, through Cyber Monday. This can be a significant savings on large, heavy stuff like frames, glazing and mat board. I’ve been a customer of Frame Destination for years – great service, quality product.
  • Amazon.com – well of course Amazon’s got all kinds of deals on photo equipment, accessories, books, etc., etc.
  • ChronoSync – Econ Technologies’ Chronosync app is one of the best for backing up your computer data, and is so much better than simply copying files from one drive to another. It’s what I use. Get ChronoSync for $10 off the regular price of $40 from November 27 through December 1, 2014.
  • Red River Paper – A Cyber Monday only sale, with savings on many of Red River’s great inkjet photo papers. I print my own photo notecards with 60 lb. Polar Matte and give packs of them as Christmas presents.
  • Craft & Vision – Here’s another one that you have to act fast on: 50% off on books and videos by David duChemin and friends. No discount codes necessary, but the deal ends Saturday, 11/29, at 11:59pm (PST).
  • onOne Software – It’s only for Black Friday, but there are discounts up to 50% on the Perfect Photo Suite and the individual plugins. I’m personally loving several of the plugins that are included in the Premium 9 Suite that I purchased.  It’s a great package whether you just want to improve your “straight” photos or you want to get into applying special effects, textures, frames, etc.
  • NatureScapes – This online resource for nature photographers almost always has some special deals on selected items, but from now through December 29th you can get 15% off on any order of $149 or more. Use the code “SAVE15”.
  • Anne McKinnell – Outdoor photographer and writer Anne has her ebooks on sale through Dec. 1 at 30% off. No coupons or code required.
  • Hunt’s Photo, Adorama and B&H Photo/Video all have holiday specials, and you might want to get on their mailing lists so you don’t miss out.
  • REI – All kinds of great stuff at REI and REI-Outlet, with special Black Friday-Cyber Monday savings through Monday, December 1.
  • Backcountry Gear – Another great source for outdoor equipment and clothing. Besides the holiday deals they often have close-out sales on major brand stuff.
  • Creative Live – Lots of great video workshop tutorials covering just about all fascets of photography. Sale is on through Cyber Monday.
  • Greg Vaughn photographic prints, books and workshops – Yup, I’m jumping on the bandwagon and offering my own specials, all good through December 31st. My fine-art prints and canvas gallery wraps are offered at a 20% discount for my collection at FineArtAmerica; use the discount code “ZBZDCD” when ordering. You can also save 20% on prints from almost any of the photos on GregVaughn.com by clicking the “Add to Cart” link; select the Prints tab for standard prints or the Products tab for canvas gallery wraps. Use coupon code “HOLIDAY2014” at checkout for this one. Don’t have my guidebooks Photographing Oregon and Photographing Washington yet? Order an autographed copy directly from me by clicking the “Add to Cart” button on this page and I’ll refund 15% of the purchase price. For a totally unique gift, either for yourself or a friend, book a private photo workshop with me at 10% off my usual reasonable rates.

Do you know of any other holiday deals of interest to photographers? Send me an email or add a Comment below.

Disclosure: the links to Topaz Software, Dreamscapes, Naturescapes, and Amazon are affiliate links. If you order anything from those sites directly after clicking the links here, I’ll get a few cents on the deal, but it won’t cost you anything extra.

Nov 192014
Patagonia Drifter A/C GoreTex trail shoe.

Patagonia Drifter A/C GoreTex trail shoe.

Good footwear is a prime requisite for outdoor photographers, and especially for anyone who puts in a lot of trail (and off-trail) miles in the course of nature and landscape photography. Finding just the right combination of comfort, fit, support, and style can be tricky, and I’m happy to have found a trail shoe that works extremely well for me so I decided to write this review of the Patagonia Drifter A/C.

I’ve long been a fan of Merrell lightweight mid-cut hikers and low-cut trail shoes, but I find that because they don’t have a full length shank there is not enough protection for my forefoot on rocky trails. Searching for an alternative, I’ve tried on a bunch of mid-high boots – Oboz, Keen, Vasque, Salomon, and Zamberlan, and have actually bought a couple of these brands, but until a few months ago I couldn’t find any that really fit my foot (a little narrow but with high instep) and had decent cushioning (something my feet demand).

On a visit to Bend, Oregon, I stopped in to the Patagonia company store, spotted the Drifter A/C, tried on a pair, and was surprised at how similar the fit was to the several Merrell’s I’ve owned. The main difference I noticed was a much a stiffer sole. But even with the stiffer sole, there was a good amount of cushioning on a heel strike. A big plus for the Drifter: the Vibram soles have nice, deep lugs with good spacing, which I judged would work well on loose dirt, mud and wet rock.

My only hesitation about the Drifter Mid was that the waterproofing wasn’t tried-and-true GoreTex. With all the hiking I do in the Pacific Northwest, I need waterproof boots and GoreTex has proven itself over the years. Interestingly, the low cut version of the Drifter is available in a GoreTex version, while the mid cut is not.

Despite my hesitation about the waterproofing. I latched onto a pair of Patagonia Drifter A/C Mid boots, looking forward to a lot of trail miles. And with virtually no break-in period, these boots quickly became my favorite footwear.

So, you want to know, how did they perform?

The clerk in the Patagonia store told me that the Drifters were in fact designed by Merrell. I can believe that, not only because of the right-out-of-the-box comfortable fit, but because the laces constantly come untied, just like those on my last two pairs of Merrells. Do yourself a favor if you buy these boots and replace the laces right away with a good boot lace like those from REI. Either that or always double knot your laces.

Little details that set these boots apart: The speed lacing system works well, with just the right amount of spacing between lugs. The tongue padding isn’t too thick. The loop at the rear of the boot is large enough to easily get a finger through when pulling the boots on. The rubber “bumper” extends about halfway back the boot, which is good for both waterproofing and protection from sharp rocks. I like the conservative colors and subtle styling – I’m not at all a fan of blaze orange boots with the name and model plastered all over them. Workmanship on the boots is excellent.

I did find that the thin foam of the insole collapsed in short order, so I replaced them with ProFoot insoles (which I find much more comfortable than SuperFeet insoles). In Spring, I put the boots to test with regular 3-5 mile dayhikes, and a few 8-15 milers, and was totally sold on the Drifter’s for comfort and support.

Unfortunately, after about 3-4 months of moderate use, the waterproofing on my boots failed. A leak developed just above the rubber above the forefoot flex point, and my left foot got wet just walking through a meadow wet from dew (not actually immersing the boot in water).

I sent the boots back to Patagonia and asked for a replacement. They quickly agreed to replace the boots, but told me they were out of stock and didn’t expect a new shipment for several months. As this was in the Spring and I needed new boots for summer hiking, I opted instead to get the Patagonia Drifter A/C low-cut shoe with Gore-Tex waterproofing. I have now put many miles on those Drifter trail shoes and can honestly say they are outstanding. I’ve worn them on backpacking trips, dayhikes and just as everyday shoes. In the past I’ve worn mid-cut boots when hiking, but these low-cut Drifters have enough support for carrying a pack, they’re extremely comfortable to wear, and they were cooler than mids for summer hiking. Plus, and very importantly, the Gore-Tex lining has kept my feet dry.

Patagonia Drifter A/C Mid hiking boot

Patagonia Drifter A/C Mid hiking boot

I like these Drifters so much that when I found another pair of the mid A/C on sale at an outdoor gear store, I immediately snapped them up. I thought I was set for the fall-winter-early spring hikes, with the mid height providing a little more warmth and protection from wet trails. Unfortunately, the new Drifter mid waterproofing failed in short order. A mis-step while crossing a creek put my foot into water just barely over the lowest lacing point for not even a couple of seconds and my foot was instantly wet. I’ve stepped in rivers and walked on beaches with other similar waterproof boots and stayed dry. Despite the Patagonia customer service rep’s assurance that their proprietary waterproofing is just as good as GoreTex, experience has shown otherwise. I cannot figure out why Patagonia doesn’t offer the Mid with Gore-Tex, but I sure wish they did.

So, after having the waterproofing fail twice, I’m really disappointed in the mid height version, but bottom line, I wholeheartedly recommend the low cut Patagonia Drifter A/C GoreTex trail shoe. I’m wearing them now, and I’ll be on a trail with them again tomorrow.


UPDATE, January 13, 2015:  Patagonia informs me that they are no longer selling shoes or boots. That’s really too bad, as they had some nicely designed products. I still think the Drifters are great trail shoes, and you might be able to find them through online retailers.

UPDATE, July 1, 2015:  REI has the low cut Patagonia Drifter A/C on closeout sale right now. I like these shoes so much that I scooped up a pair as soon as I saw them in the store.


Disclosure: the links in this post to Patagonia and Merrell are for information and convenience only – they are not paid links and I am not sponsored by either company. The links to products on Amazon are affiliate links, and I might make a few pennies if you buy something as a result of clicking on them, but that’s certainly not the purpose in posting this gear review.

Nov 122014
waterfall on the South Fork Alsea River

Alsea Falls, Coast Range Mountains, Oregon.

Shortly after moving to Oregon a number of years ago, I visited Alsea Falls, a pretty little cascading waterfall on BLM land in the Coast Range mountains. I made a photo on that trip that just didn’t quite make it – an okay image but lacking a certain je ne c’est quois. Ever since then I’ve been meaning to return for a better photo, particularly in autumn, when it’s likely the fall color will enhance the scene.

I finally made that return trip, only to find that that fall color had already peaked. Not only that, but a large log was wedged in the lower cascades of the river, rather spoiling the otherwise very photogenic flow. I worked the scene for quite some time, trying to find a composition that would encompass the cascading waterfall and the fall color of the bigleaf maple trees hanging over the tiered falls. Took off my boots and zipped the legs off my convertible hiking pants (yes geeky and not very attractive, but oh so practical for photo trekking), and waded across the rapids trying to find a better angle. Man that water was cold! After gingerly picking my way over slimy slippery algae-covered rocks and logs for a good amount of time, I finally found a composition that sort of worked. Not my pre-visualized shot as I was driving out the to the falls, but a decent rendition of Alsea Falls, and much better than my previous photo.

Back on the river bank, while putting socks and boots back on my numb feet, I noticed a single bigleaf maple leaf caught on the rocks in a shallow part of the river. The flowing water reflected a combination of bright yellow from a bigleaf maple across the stream and the bright blue of the sky above. Cold blue and warm yellow make a striking combination, and the graphic of the mottled leaf really caught my eye.

maple tree leaf in fall color on wet rocks

Bigleaf maple tree leaf at Alsea Falls, Oregon.

It was a joy to work this little scene, refining the composition, getting the right combination of shutter speed to blur the water and aperture to keep all of the leaf in sharp focus. Is the angle better from a little higher, or a little lower? A little to the left, or more to the right? Where do I need to position my auto-focus point for the proper hyperfocal distance? Watch carefully while rotating the polarizer so as to cut glare on the leaf but not kill to reflection on the water. Sometimes it’s amazing to think of all the little decisions we make in the process of making a photograph.  What is your process like when you’re out doing nature photography? Do you have a sort of mental checklist that you follow?


Oct 182014
aspen trees against granite cliff

Aspen trees and granite, Sierra Nevada.

A couple of weeks ago I wandered to the east side of the Sierra Nevada in California to lead a private photo workshop, meet some long-time photographer friends, and make some photos of the fantastic fall color the eastern Sierras are famous for.

The photo workshop was a great success, with my client declaring after the first morning that the trip had already paid for itself; we were treated to a spectacular sunrise at Mono Lake with a fresh dusting of snow on the mountains and colorful clouds floating in the sky. We went on to work Alabama Hills, the Ancient Bristlecone Pine Forest, Milky Way photos from Mammoth Lakes, weathered wood and rusty metal at Bodie ghost town, and, of course, lots of brilliant fall color around the creeks and lakes between Bishop and Lee Vining. I really enjoy sharing such spectacular beauty with others, particularly those who are enthusiastic about developing their photographic skills.

The rendezvous with old friends was also great. I first met a couple of these folks twenty years ago in this same area as part of a meeting of shutterbugs from the old Compuserve Photo Forum. Photographing alongside these people at places like Bishop Creek, Mono Lake South Tufa Reserve and Bodie State Park is wonderful as they are amateurs in the original and best sense of the word: those who do something just for the love of it. Their enthusiasm and joy in being in a beautiful location and exercising their creativity is truly inspiring. What good fun to explore a scene when one photographer is shooting with an infrared-converted DSLR, another alternates between shooting black & white IR, winding film through a Holga and straight captures with a digital camera that he will later process with various artistic and alternative effects. A third photographer works his DSLR with the intention of later producing paper negatives and then contact printing them on his hand-made, hand-coated paper. Hanging out with these folks, I’m motivated to try and be a little more creative in my own photography.

Icing on the cake for this trip was a dinner get-together with photographers Jack Graham and Guy Tal. I met Jack several years ago at a NANPA Summit, and we’ve kept in touch via phone, email and Facebook since then. Jack has helped me out several times, including contributing some of his photos to my book Photographing Washington. If you’re not familiar with Jack, it might interest you to know that he’s been leading photo workshops for over 20 years, and Jack’s workshops are consistently sold out, with a huge percentage of repeat attendees. He is very, very good at educating photographers and helping them attain new skills.

I was most pleased to meet Guy Tal, a man whose photographs and words have both intrigued and inspired me for several years. Few people can craft such wonderful words to go with their photographs. Eloquent is the operative term for both. I sometimes fancy myself a writer, since I have written two books that won awards for editorial content, but my writing is usually a very literal “I went here, if you go there, this is what you’ll see”, and often when I read Guy’s posts on his blog I think to myself, “Damn, I wish I could write like that”.  Guy doesn’t talk about gear much, delve into the camera, lens and f/stop he used, or how he processed a particular image, but he expresses well the reason for making an image and the emotion behind it. Even if you don’t consider yourself an Artist with a capital A, as photographers that’s something that we should all strive for.

One of the things that attracts me to Guy’s photographs is that they are often rather quiet images. Although some have vibrant color, he doesn’t crank that Saturation slider as some photographers are wont to do these days, nor are most of his images composed of bold graphics. Rather, they are highly detailed, quiet studies. The kind of images that you can stare at for a long time, that you wouldn’t tire of seeing on your living room wall. Photographs that invite meditation and contemplation.

Interestingly, of all the photos that I made myself during this trip to the Sierras, the one that pleases me the most at this point is not one with the brilliant oranges and yellows of sunlit aspens in their peak of fall color glory, but rather a photograph made in the shade, with aspens that weren’t quite in their prime. Tree trunks and leaves against the texture of a granite wall. A rather quiet image, and one that resonates with me and reminds me of what I enjoyed about my wander in the eastern Sierras.